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THEATER REVIEW: CITY OF ASYLUM




April 5, 2013
Written by: Dylan Jesse
Published by: Coal Hill Review

For the first time in the long history of our species—the first to develop so complex, intricate, and varied a system as language—we have the ability to broadcast our every utterance on a global scale at the slightest whim.With the advent of ever more expansive and refined communication technologies, every bad joke, minor quip, heavy thought, and meager comment can reach from our neighbors to our friends to people we may never meet. We put ourselves so readily out to the globally connected community, but how many of us are willing to face imprisonment, hard labor, torture, or exile for the thoughts and words we proffer? This is a consequence that many courageous individuals—whether or not we ever read their works or learn their names—face across the globe even as you and I sit and read these words from the comfort of our chairs. Our words are arguably one of our greatest achievements as a species, and even in this hyper-connected age they can bear a terrifying weight. They can spark revolutions (look to the impact outlets like Twitter had on the momentum of the protests in Egypt and Tunisia for a recent example) or end the lives of those who penned them. Thankfully, Pittsburgh provides refuge for a few invaluable voices as part of the International Cities of Refuge Network (ICORN), allied stateside as part of the Cities of Asylum network with Las Vegas and Ithaca. An under-sung feature of the Steel City, this program gets much-needed exposure in the University of Pittsburgh Repertory Theatre’s newest original production, City of Asylum.

In its 90-minute continuous run time, City of Asylum brings to the stage a stirring collage of material cobbled together from interviews, videos, online journals, poem, and other works of the authors that have been supported by the City of Asylum program operating here in Pittsburgh: Israel Centeno (from Venezuela), Khet Mar (from Burma), Horacio Castellanos Moya (from El Salvador), and Huang Xiang (from China). These four luminaries have faced horrors unimaginable to most of us for the works they authored—be them journalistic, fictional, or poetic—and it is to their credit that they had the determination and courage to say what they have. City of Asylum highlights the beauty and artfulness of their words as well as the unfathomable brutality they endured in their homelands. The production brings together the circumstance, character, and a brief taste of the content that has brought these four individuals to Pittsburgh as part of ICORN. The interweaving of the writers’ works with dramatic presentations of their personal stories and own words is a challenging task that, under the direction of Cynthia Croot, the Pitt Rep cast pulls off with acumen...

 

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