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David Jortner - Associate Professor



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Education

PhD- Theatre and Performance Studies, University of Pittsburgh, 20031

MA - Theatre, Michigan State University, 1995

BA - Theatre, Skidmore College, 1993

Biography

David Jortner  joined the Baylor faculty in 2008 and teaches theatre history, theory, dramatic literature, and directing. He received his PhD. in Theatre and Performance Studies from the University of Pittsburgh in 2003 with specializations in Japanese theatre, American theatre and theatre theory.

Dr. Jortner’s research interests are predominantly in the areas of twentieth century Japanese theatre and the intersection of Japanese and American culture. He is the co-editor of Modern Japanese Theatre and Performance and is a contributing editor for the History of Japanese Theatre coming out from Cambridge University Press.

He has essays in numerous volumes including "Staging Soul/Food in Rakugo and Shōgekijō: Food and Theatre in Japan" (with Lorie Brau) in Food and Theatre on the World Stage, "SCAP’s 'Problem Child:' American Aesthetics, the Shingeki Stage, and the Occupation of Japan" in Rising from the Flames: The Rebirth of Theatre in Occupied Japan, 1945-1952, and "Censoring Vengeance: Revenge Dramas and Tragedies during the Allied Occupation of Japan" in Revenge Drama in European Renaissance and Japanese Theater: From Hamlet to Madame Butterfly.

Dr. Jortner has also authored numerous articles, including the most recent, "'Imposing the Standards of Boston On Japan:' Kasutori Performance, Censorship and the Occupation" in Theatre History Studies (2014). He also has articles in Asian Theatre Studies, Tirai Panggung and Text and Presentation.

An active director, Dr. Jortner has staged works including The Learned Ladies, Mad Forest, The Odyssey, Lysistrata, Picasso at the Lapin Agile, Caucasian Chalk Circle, Angel City and Fefu and her Friends.

David is active in the Association of Asian Performance, the Association for Theatre in Higher Education, the International Federation of Theatre Research and the American Society for Theatre Research and has presented papers at conferences around the globe.