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At this point in the rehearsal process I should be exhausted, right? WRONG. We start every rehearsal with dancing and singing and crunches and push-ups. It’s like a fabulous, sparkly boot camp. [body]
Ellen Connally, Assistant Stage Manger/Deck Chief for Compleat Female Stage Beauty, recounts her experiences backstage, learning the lingo, and figuring out how to flail her arms effectively. [body]
Andrew Sours, sound designer for Compleat Female Stage Beauty, describes the ephemeral, invisible, intangible world of sound design as he recounts his experience working on this mainstage production. [body]
The Richmond Theatre Critics Circle presented Stacey with an individual award for Best Actress in a Musical for her portrayal of Eliza Doolittle in Virginia Repertory Theatre’s production of My Fair Lady. [body]
We began each day with rhythm and movement with Oliviero in the palestra. It was a great open space that allowed the 35 participants of the workshop to explore different beats, relationships, music, and instruments [body]
"I sent some of the production team off on a little mission to come up a Plan B. It’s like 'Project Runway' and I’m Heidi Klum, or 'Parks and Rec' and I’m Leslie Knope, or 'Toddlers and Tiaras' and I’m one of those small, scary pageant girls. Any of the ways, I get to be blonde"...Zoe Benditt continues her journey through the wonderful world of production management [body]
Vivian Appler recounts the first half of her time at her Swiss clown workshop. [body]
Vivian brags about her accomplishments as an amateur astronomer [body]
In Her Hamlet we see many parts of Hamlet, but through Jude’s fractured vision. Just as Jude is cobbling together a whole from scraps, fragments, and partial information, so are those of us working on the play [body]
Hi, I’m Zoe Benditt. I’m the production manager for Tongues of Men and Angels, the assistant director for columbinus, the stage manager for Zanna, Don’t!, and I’m tired [body]